Green Rooms

In the course of a month, I get to see a wide range of green rooms of offstage spaces for the performer. They range from nothing, a table in a conference room to what they have in nice clubs.

A couple of Decades ago when Jim Gaffigan was really becoming a big, we were chatting with a comedy club owner and Jim said something like, “I know what you pay me, just put me up somewhere nice.” That’s something that really stuck with me, if you treat the act right off stage, it’ll payoff onstage.

A couple weeks ago the comedy club I was performing at had a cabinet of snacks!

More than that, it had three tubs of toiletries:

That’s HUGE if you’re doing two shows back to back and you want to freshen up a little bit between shows. Personally, I try to not take these green rooms for granted, because the next gig I do won’t have anything and I’ll spend 20 minutes hunting down a cup of water!

-Louie

Chinese Laundry Ticket

I found a stack of Chinese Laundry Ticket papers in a box of old magic from the early 1960s. This is a torn and restored paper effect with a strip of paper. The theme of this trick is a ticket from a Chinese laundry that’s torn and restored, and this routine is typically filled with offensive (racist) patter lines. A better themed version would be Arnold Furst’s Fresh Fish paper tear.

Anyway, I have these Chinese laundry ticket papers, and I was curious what they actually said, so I ran them through Google Translate and here’s what they say:

Chinese Laundry Ticket
Chinese Laundry Ticket

This is one of the things that’s problematic with these older magic tricks, is that what’s actually written on them isn’t what it’s supposed to be in the trick. This trick, if it actually had numbers on it instead of talking about rice, would be slightly less offensive. The simple fact that the trick is taking something from another culture, but not taking the most basic step of making sure it’s correct, is just one of the reasons I dislike this trick.

Go out there and be a better human.

-Louie

Trickanalysing: The Close Up Magic of David Copperfield

On a flight I read the book Trickanalysing The Magic of David Copperfield. This is a book from 1997 that goes through 20 of David Copperfield’s close up magic routines that he’s done on TV. This book is about the theatrical elements in the routines, not about specific methods.

trickanalysing The Magic of David Copperfield

The first 2/3’s of the book is the author going through and breaking down what’s theatrically happening in the routines. The final third of the book digs more into the author’s definitions of the theatrical devices used and how they could be applied to your magic. Then at the end, there are some worksheets for you to go through your magic and see what you’re using, or could be using.

Honestly, I don’t know how I feel about this book. I didn’t dislike it, however, I’m not in love with it. It was definitely interesting, but I’m not sure how much of the Trickanalysing system that I’ll personally be using. It is always neat to read about someone’s system.

-Louie

Jesse Patterson

On this episode, we welcome hula hoop extraordinaire Jesse Patterson. We talk about how she fell in love with the hula hoop at a young age and how she found the circus community growing up in Texas.

We discuss her particular style and how it incorporates some long-lost juggling techniques. She tells us what led her to go to circus school and walks us through the day-to-day routines at a circus. A really great chat with a wonderful and creative performer. 

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What’s Next for Louie Foxx Magic Products?

With the closing of Hocus Pocus (under the Gross family), I need to make some decisions about my magic products. There really isn’t a family run magic shop in the USA that has the reach of them, aside from maybe Steven’s Magic Emporium, and without Joe and the fire a couple years ago, I have a feeling their time is limited.

Personally, growing up in magic in the 1990’s every magic shop and city/state had a culture and style. The magic tricks available in Minneapolis may be different from what we had in Seattle. Back then, it was great when someone would travel and bring back a trick we didn’t have in Seattle. Now that the magic business has changed into a global thing, all the shops are virtually the same. There are very few magic products that are made and sold locally.

With my magic products, I wanted a dealer that I knew and someone that I could give something unique to. Something that gave people a reason to shop with a specific shop that wasn’t just price.

Going forward, what should I do with my product? Should I start reaching out to smaller local shops, or go with Murphy’s Magic and have them distribute it? With Murphy’s, I will move a lot more units and make more money. I’m really not motivated by more money (I probably should be), and I would rather have a relationship with a magic shop that’s a singular home base for my products.

I don’t know…

-Louie

Hocus Pocus Closed!

Well, it’s public now that Hocus Pocus in Fresno has closed. For me, this is the end of the “family magic shop” era. Aside from Stevens Magic Emporium, there really aren’t any prominent family run magic shops in the USA anymore. Yes, there are some smaller ones, but not really any with national/international reach.

I first met Paul and Betty Gross when I was performing at The Big Fresno Fair about a decade ago. They came to the fair and watched my show, and then they introduced themselves. I had done business with Paul Gross long before that. Hocus-Pocus was the second shop to sell my Evaporation trick. The first was Max Krause’s magic shop, but he called me at around 10pm, right after I had sent out an email to magic shops announcing the product. Paul put in an order the next morning and he immediately sold out and reordered.

After Paul’s passing, I continued doing business with Hocus Pocus when Max took over. Max was involved before that, but he became the face of the business at that point. For not being a magician, Max knew a lot about the industry and a ton about collectible magic!

That brings us to today (technically last night) with them officially being closed. Last week I got a call from them giving me a heads up about it, and I immediately booked a flight down to say good by to them. Every magic product I’ve released for the last decade has been through them, and it’s been a great relationship.

magic shop
magic shop

It’s sad to see this shop going away, and it was great to chat with them about what’s next. Max is a super smart guy, and he kept his Dad’s dream alive and now he’s working on his dream, and I wish him and the rest of the family the best!

-Louie

Embracing the Real Moments

Last week when I was performing at a comedy club, I had a drop during the Hoop and Cup. When it happened, a kid from the audience said something. Here’s what happened:

When someone says something in the show, I try to lean into it. It’s a real moment and something that makes that show unique. Many magicians would shut the kid down with a hack line like, “I checked, and you don’t have a speaking part in the show,” or whatever. Personally, I hate lines like that, and I think 99% of shows could benefit by embracing real, spontaneous things that happen. Yes, there are times you need to shut it down because it’s going now where, however, you usually should explore it first.

Die Box

In a box of old magic that I bought, there were a couple of Die Boxes without the dies. Here’s one of them:

die box magic trick

Instead of throwing them away, I tried to 3d print the die and shell. Here’s what I made:

die box magic trick
die box magic trick

For the inside of the shell, I used black adhesive fabric. Here’s the everything:

die box magic trick

The end result was great and works! I’m glad I could give this prop some more life!

-Louie

The Stop Trick

In my collection of old magic stuff, I had a pack of FAKO cards. This is a deck of gaffed cards and novelty cards.

Fako cards

The pack I had was just the cards without the booklet, so I’m not 100% positive as to what tricks the cards do. One of the cards has a big stop sign on it, and here’s what I’ve been doing with it:

It’s just a second deal until they say stop, and then a timing force for the second time. Every time I do it, the person has a great reaction when they see the card!

-Louie